17 May 2020

Library Limelights 221


CORONAVIRUS TIMES continued. My first ebooks!! How to cite them? And pulling quotes is a headache: sometimes I was able to get page numbers, sometimes not. Navigating the TPL’s “Libby, by OverDrive” system will surely become more familiar.


 Michael Crummey. The Innocents. Electronic edition (ebook), 2019. Download from Toronto Public Library. Originally published by Doubleday Canada, 2019.
Brother and sister Evered and Ada are left orphaned on the most remote-imaginable coast of Newfoundland when their parents sicken and die. Evered is eleven at the time (appearing to be early nineteenth century, perhaps), Ada a little younger. Schooled only by observing their parents in seasonal rounds of backbreaking chores, their lives are constricted by the cod catch and all its preparations. Twice a year, the ship The Hope arrives to exchange their catch for the necessities of isolated life, handled by their father Sennet Best. Only one other human being had the youngsters ever seen: midwife Mary Oram.

Now Evered and Ada throw themselves into the same cycle, not wishing to leave their shabby home for a port called Mockbeggar. Over the next few years Evered learns to deal with the Beadle, accounts master on The Hope. They experience the horrors of a long-foundered ship and the grimness of winter weather. Visitors occasionally come by chance (get it?): once a couple rescuing them from starvation, once a group of rough sailors who disturb the close equilibrium of the pair. Crummey has done a magnificent job immersing us in the solitude of an unforgiving land, deadly tragedy, and the struggling introspection of an untaught but inquiring mind. The Innocents is lively with colloquialisms, the words—bladderwrack, bawn, yaffles, mollyfudge, nigmenog, callibogus ... et al!

Father’s favourite expression of frustration: “God’s nails!”
Mother’s favourite expression of frustration: “Piss and corruption!”
She could talk the bark off a tree, their father said, a note of awed disbelief in his voice. [midwife]
It hadn’t occurred to Ada that a name was bestowed on a person and not something you were born with. [baby sister who ultimately did not survive]
▪ “May earth bear on you with all its might and main.” [incantation during childbirth]

Most of their speculation centred on the figure of the Beadle who was Cornelius Strapp’s man, fish culler and keeper of Strapp’s ledger. Their father spoke of the man with a mix of animosity and foreboding.
One of the three said, “You’re the very daps of Sennet you is.”
His wrists were atonic and sore, the fingers stiffened to claws. (113)
▪ “Sister,” he said. “I’m so bad now as old Mr. Lucas’ goat.” (135) [unaccustomed to the rum shared by The Hope sailors, and learning their lingo; Evered has never seen a goat]

And years passed in that same severe round with little variation but the ratcheting wheel of the seasons and nothing but the slow pendulum of The Hope’s appearances to mark time on a human scale. (141)
A queer look to him, jet-black hair in tight curls and his skin a colour unlike any colour Evered knew, a barky-tea complexion. (202)
▪ “Mr. Long Shanks is too bockity to be any use in a boat. He nearly fell overboard just now.” (206)
▪ “She got the nerve of a mule Ada has.” (242)
Pleasure and shame. Shame and pleasure. These were the world’s currencies. And it paid out both in equal parts.


Margot Hunt. The Last Affair. Electronic edition (ebook), 2019. Download from Toronto Public Library. Originally published by Mira Books(?), 2019.
Nora Holliday and Josh Landon, both married with children, fall into an affair that feels like love. Each of their marriages is a disaster, of course. The crime/mystery element of the story opens with the murder of Josh’s wife Gwen. Who dunnit? And on we go with an anatomy of two different families. I’m puzzled why I had put this book on my list. One judges by blurbs, and I failed to foresee that the psychological drama and the crime perpetrator would be so predictable. Nora lives unhappily with an alcoholic husband, Carter; Josh endures the cold, narcissistic Gwen. For the sake of the children—oh, give me a break.

Josh’s daughter Abby has just been dumped by her boyfriend and thoughts of revenge are the only thing that pull her out of depression. Accidentally discovering her adored father’s infidelity is like a double whammy; she keeps it secret, determined to identify the woman. Perhaps better than her father, Abby knows her mother’s hypocritical, sociopathic nature. A number of people have a reason to hate Gwen. Divorce plans go into action. There’s nothing bad about the writing or the characterization. Just me, longing for more challenge in a crisp Scandi-noir or Hiassen-like absurdities.

Josh:
▪ “It’s always about you,” Josh said quietly. “Gwen the great. Gwen the victim.”
Josh had told Gwen he’d never again underestimate her capacity for cruelty.

Carter:
▪ “I don’t think it’s safe to be around Dad right now,” Matt said softly.
▪ “You,” Carter said, pointing his finger at Nora, “don’t get to tell me what to do ever again.”

Abby:
One betrayal had chased the other right out of her mind.
▪ “Your wife is having an affair with my father,” Abby blurted out.

Nora:
You have to stay strong, even in the darkest moments, when you feel like you have failed at everything you’ve touched.
If Gwen needed to talk to her, didn’t Nora owe that to her?

Gwen:
▪ “I will not ever allow you to make me look like a fool. Is that clear?”
▪ “Abby’s not staying here because I don’t want her here. She can go with you, wherever it is you’re going.”


Anna Wiener. Uncanny Valley. Electronic edition (ebook), 2020. Download from Toronto Public Library. Originally published by Farrar, Straus and Giroux, 2020.
How to relate to a book about the high-tech industry when you don’t have the faintest clue what they are talking about? Anna Wiener relates best to me when she describes her own mixed feelings about Silicon Valley’s startup days amidst the dying hippie counterculture of San Francisco. Moving from the world of book publishing into data analytics and open-source software startups, she was in the thick of the new excitement that upended all business models—a world of virtual creations, operating on a summer camp mentality. Job interviews seemed designed to determine the applicant’s “culture fit,” demanding employees be Down for the cause: company loyalty was everything (wear the T-shirt; don’t forget the hoodie with the company logo).

Her self-examinations grew more frequent as Anna absorbed the freewheeling culture—the youthful exuberance and authority, the disorganized meetings, the expensive retreats, the jargon, buzzwords, acronyms. The economic power shift. As fully invested as she intended to be on entering the system, she felt apart with her traditional academic training, by being a non-tech “civilian” in a tech environment, by shades of sexism and misogyny, finally by creeping unease with unregulated erosion of privacy. Perhaps no one could have written this book as trenchantly as she did? Despite the underlying technology subjects, Anna’s prose flows easily as her best skill. She’s a regular in The New Yorker.

Words:
prelapsarian – before the mythical fall of mankind
maieutics – Socratic teaching method
metathesis – ion exchange between two compounds OR two consonants transposed in a word
extropians – belief that science and technology continually improve human life
chelonian – turtle-type reptile
genomic – a study in genetics for sequencing and analyzing the cell of an organism
asymptotic – when an approaching curve and line never meet

Teasers:
He was jolly and hirsute, wearing faded jeans and a company T-shirt that declared I AM DATA DRIVEN. I resisted asking if it needed a hyphen.
In a certain light, I tried to convince myself, business analytics could be seen as a form of applied sociology.
As the tides turned digital, my milieu was grounding itself firmly in the embodied, intangible world.
Data collection and retention were unregulated. Investors salivated over predictive analytics, the lucrative potential of steroidal pattern-matching, and the prospect of bringing machine-learning algorithms to the masses—or, at least, to Fortune 500 companies.

My job had placed me, a self-identified feminist, in a position of ceaseless, professionalized deference to the male ego.
For nearly two years, I had been seduced by the confidence of young men. They made it look so simple, knowing what you wanted and getting it.
I understood my blind faith in ambitious, aggressive, arrogant young men from America’s soft suburbs as a personal pathology, but it wasn’t personal at all. It had become a global affliction.
The tech industry was making me a perfect consumer of the world it was creating.

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